He didn't leave much work behind, but every painting vinci is a masterpiece.
But more specifically, Leonardo da Vinci demons wanted to capture the guide instant just after Jesus reveals that one of his friends will betray him, complete with reactions of shock and season rage demons from the episode apostles.
However, he did use vincis heavy season symbolism around demons the sitters to tell you their episode story.You can see this in vinci the Mona Lisa and Ginevra de Benci.However, in this painting, Leonardo emphasized on the lively eyes.Try looking up symbolism in Ginevra de Benci or Cecilia Gallerani (Lady with the Ermine) to see it demons for yourself.Leonardo da Vinci had great achievement in many fields, such as sculpture, science, music, mathematics, engineering, geology, etc.The status of all his sitters was rather ambiguous as he didn't like adorn them with jewellery nor dress them in rags.And vinci season moving it would be tricky, to say images the least.Countless reproductions have been episode made wiki in all sizes, but the original is about 15 feet season by 29 feet.Leonardo da Vinci used a brand new technique on his future masterpiece.Everyone knows demons the painting depicts Jesus's last meal with his apostles before he was captured and crucified. These range from a 16th century oil painting reproduction to new interpretations from Salvador Dali, Andy Warhol, Susan Dorothea White, and Vik Muniz, who made his out of chocolate syrup.
And painting was the most successful one.
But no matter how many times you've seen it, we'll bet you don't know these episode details.

In besides The Templar Revelation, Lynn Picknett and Clive Prince propose that the figure to the left of Jesus is not John, but Mary Magdalene, and that The Last Supper is key evidence in a cover-up of the true identity of Christ by the Roman Catholic.
It's likely that someone along the way decided to saddle The Last Supper with a similar narrative in order to give its moral message a sense of historical credibility.
Although the painting itself was beloved, da Vinci's tempera-on-stone experiment was a failure.